Edward Holmes Baldock (EHB)
Edward Holmes Baldock (1777–1845), based in Hanway Street, London, was regarded as one of the greatest antique dealers of the early to mid-19th century. His clientele included the highest echelons of society, from the monarch downwards, including King George IV, the Rothchild’s, William Beckford, and the Duke of Buccleuch. Baldock was also known as a purveyor of porcelain to King William IV and Queen Victoria, and he contributed to the refurnishing of Windsor Castle in 1827, when he supplied the King with cabinets, sofas, chairs, and Sèvres porcelain.
Baldock was not only a dealer from whom the royal household purchased objects directly, but he also acted on behalf of King William IV at auctions, acquiring important pieces for the royal collection and receiving a commission for his services.
It is remarkable how many significant works of art passed through Edward Holmes Baldock’s hands. In 1824, for example, he sold to the 3rd Duke of Northumberland a pair of cabinets made by Domenico Cucci for Louis XIV at Versailles in 1683. These were substantial ebony cabinets fitted with Pietra dura panels and gilt bronze mounts.
Later, in 1832, Baldock sold to the 5th Duke of Buccleuch a cylinder-top desk reputedly made for Pierre-Augustin Caron de Beaumarchais, the celebrated French playwright best known for The Barber of Seville and The Marriage of Figaro. This desk is now held at Waddesdon Manor, the Rothschild family estate in Buckinghamshire.
Baldock did not only resell historic pieces. He also designed furniture and commissioned craftsmen to produce it, often incorporating important elements taken from earlier 17th and 18th century furniture into new works. This practice became one of the defining characteristics of Baldock’s bespoke commissions and retail pieces.
Following the French Revolution in the late 18th century, many significant pieces of French royal and aristocratic furniture were dispersed through auction sales. Numerous works that survived this turbulent period were later purchased by British dealers and collectors, with Edward Holmes Baldock being among the most notable figures involved in acquiring and reintroducing such pieces into elite British collections.
The stamp “EHB” was identified in 1975 by Sir Geoffrey de Bellaigue, former Surveyor of the Queen’s Works of Art and a leading authority on French and Anglo-French furniture. Prior to this research, the mark had sometimes been mistaken by auctioneers for that of a French maker, due to Baldock’s strong Anglo-French stylistic approach. Numerous important pieces, both earlier 18th century works retailed by Baldock and furniture commissioned or assembled by him in the 19th century, bear this stamp. He remains a remarkable dealer whose work continues to be studied, with new discoveries and rediscoveries of pieces such as this cabinet helping to expand understanding of his practice.

Antique Pier Cabinet by Edward Holmes Baldock
Our Research & Documentation
Newly in stock as of April 2026 is a pier cabinet by Edward Holmes Baldock.
The cabinet bears the Edward Holmes Baldock ‘EHB’ mark to the reverse. Baldock is known for incorporating important 17th and 18th century elements from earlier furniture into the pieces he retailed, and this cabinet is an exceptional example of that practice.
At the centre of the front is a finely worked naturalistic marquetry panel depicting an urn of flowers on a stand, resting above scrolling forms. The veneers are notably thick and of high quality, and the panel is estimated to date from the late 17th to early 18th century, likely of continental origin.
This central panel is framed by an ebony border with naturalistic floral marquetry, also believed to date from the late 17th or early 18th century. The marquetry is executed in the manner of André-Charles Boulle. For comparison, a cabinet in the Wallace Collection, attributed to Boulle and dated circa 1670–1675, displays closely related marquetry decoration. That example, constructed of oak, ebony, tortoiseshell, brass and marquetry, shows highly comparable floral designs.
The cabinet is fitted with impressive ormolu mounts, many of which appear to originate from earlier furniture and were carefully selected by Baldock. The most striking mounts run vertically up each canted corner of the front, topped with scrolling arched forms and decorated with floral detail. A closely comparable French commode in the Victoria and Albert Museum, dating to circa 1720, features remarkably similar brass columns terminating in hoof feet. Although that important commode bears no definitive maker’s stamp or provenance, specialists at the V&A have suggested that it is most likely attributable to the workshop of André-Charles Boulle.
The strong similarity between the mounts may suggest that the ormolu on this cabinet was either inspired by Boulle’s designs, copied from them, or possibly even cast from the same master models used for the earlier commode.
These mounts are bolted through the carcass, a construction method characteristic of 18th century French ormolu work, rather than the later practice of surface fixing.
The side panels also incorporate earlier decorative elements, each featuring trellis marquetry panels taken from 18th century French furniture and carefully integrated into the cabinet’s construction.
The frieze is inlaid with marquetry dating to the period of the cabinet itself, circa 1820–1840, and continues around to the sides. This work is attributed to the Blake family (Richard, Charles, Henry, George and James Blake), regarded as among Britain’s leading marquetry and Boulle inlayers of the early to mid-19th century, and craftsmen known to have worked closely with Baldock on a number of important pieces.
Illustrated Maker’s Marks and Stamps

Our pieces by this maker
Sources and Further Reading
British Furniture 1820-1920: The Luxury Market by Christopher Payne
The Tastemakers: British Dealers and the Anlglo-Gallic Interior, 1785-1865 by Diana Davis
Geoffery De Bellaigue "Edward Holmes Baldock, Part 1", The Connoisseur 189 (1975)
Geoffery De Bellaigue "Edward Holmes Baldock, Part 2", The Connoisseur


